See You Again Tyler the Creator Song Meaning
Tyler, The Creator is an American musician in all aspects, including producing, directing music videos besides equally writing and performing as an artist. He was built-in in Bedrock, Colorado as Tyler Okonma to a single mother. In 2008 Tyler, The Creator founded the hip-hop commonage Odd Future, a controversial, alternate group. At such a young age Tyler, The Creator became a hitting in 2011 with his get-go single Yonkers, which was a track from his upcoming album, Goblin. Odd Time to come are now a pop group with the younger generations, with their own television bear witness 'Loiter Squad', all with thanks to Tyler Okonma'south odd imagination. (Haley, iMDB)
His odd imagination, weird lyrics, out-of-the-box instrumentals and an overall unusual sound is what got him into a lot of trouble in the music scene: rap blogs refusing to post Odd Futurity songs, being banned from countries (Pearce, Pitchfork) , radios not playing his songs, etc. Yet, his latest project 'Flower boy' strays away from the grimy and gritty, brown, unpolished and dirty audio of his before works (Bastard, Goblin) and introduces a new side of Tyler's music that was only slightly hinted previously on songs such as 'Smuckers' and 'Find Your Wings' from his 2015 anthology release – Cherry Bomb.
His new sound focuses on harmony, a colourful aesthetic that can be described equally dreamy, silky, soft, smooth, rich and warm. Listening to this album feels similar watching your favourite movie on a VHS record connected to a 77″ OLED 4k wallpaper Goggle box. In other words, information technology brings the great warm and nostalgic feel of analog, taking reward of everything today's music has to offer in terms of quality. This turned some heads. Tyler wasn't seen every bit the weird kid making music about abuse and sexual harassment anymore. It brought more attending to the artist Tyler has always been indicating of becoming. The song 'See Yous Once more' even got played on the radio.
i just heard "see u again" on the radio and started crying tears of joy omg
— Tyler, The Creator (@tylerthecreator) October 3, 2017
similar bruh my whole carreer ive never got radio play cause i was "besides weird" this is a moment wow
— Tyler, The Creator (@tylerthecreator) Oct 3, 2017
fabricated it on there and kept it "weird" too
— Tyler, The Creator (@tylerthecreator) Oct 3, 2017
'Blossom Boy' also brought an overarching topic of the album that wasn't on previous ones. Loneliness. For the bulk of the track-list Tyler is openly expressing his feelings of existence alone and lack of friends (nigh noticeable on songs such equally 'Boredom', '911 / Mr.Lonely') . This void is being filled by fabric possessions that are too present throughout the albums in a mode of typical hip-hop brags – having loads of cars and money, etc. ('Foreword', 'Who Dat Boy', '911 / Mr. Lone')
Even so, the vocal in question, 'Encounter You Again', stands out. Although it meshes perfectly in a stylistic point of view to the rest of the anthology, it introduces an idea that could both be the master colonnade of the album or exist totally unnecessary. It's a love song. It's a vocal that takes the listener to another realm, a dreamland. A place where Tyler really feels happy and loved. He describes this place as a "fantasy" and a "dream land". He depicts his loved 1 every bit someone who'due south exists beyond what is real.
As stated in genius.com – 'The person Tyler sings to on this song seems to be his ideal lover, as they only live in his fantasy and dream state. Whenever he wakes up this person disappears, and therefore he doesn't wish to wake up. While he is very much in honey with them, he hates constantly waiting and chasing.' Furthermore, Tyler's implying that being this human relationship is the only thing that's on his heed – "You lot're the one that's always running through my mean solar day dreams, I, I tin only encounter your face when I shut my optics"
This impossible love of Tyler is what makes this song either insignificant in the grander scheme of the anthology or the about important slice of the project. On one paw it could be that this song is simply a detour, or a consequence rather, of the overarching theme of loneliness that 'Bloom Boy' puts forwards. On the other hand, Tyler's dream of this fantastic dearest could be the driving force, the initiator of the loneliness that inspired the album in the start identify. I'm sticking with the latter.
The place of the song in the track list is past no means random and serves equally a statement. In the intro track, Tyler poses plenty of questions letting the listener know right from the kickoff that this album will delve into more existential themes and problems that haven't been explored past the artist until this bespeak. The second rail 'Where The Blossom Blooms' expresses the new braggadocious and arrogant function of Tyler that's emerged from the hollowness and emptiness that he's constantly feeling. Past this indicate in the album, the principal conflict of loneliness is nonetheless to exist explored fully, but is still beingness suggested.
Tyler is notwithstanding acknowledging his loneliness in-between all of his lines nearly possessions and starting from the bottom. Notwithstanding, he's nevertheless to find the reason for his friends abandoning him and nobody caring nearly him. At this bespeak in the anthology, he still considers that the reason for this is 'his ego' or aught lasting forever. This speedily changes once the third runway – interlude to the vocal 'Come across You Again' goes by without notice. In fact, I believe that in the first few listens of the albums most listeners would think it'south a single rails. This interlude merely enhances the importance of the fourth track as its purpose is to be a transition into the dreamy, imaginary world of Tyler, where his dearest is. At this point the disharmonize of 'Flower Male child' is finally revealed. Tyler is feeling solitary because of his impossible honey. His realisation of the problem is also supported past the following tracks in the anthology. Most noticeably, 'Colorlessness' and '911 / Mr.Solitary' (every bit mentioned previously), which reach the peak of the artist'south feelings. Both of the tracks prominently feature lyrics that could be related to abandonment and not existence important enough to the imaginary lover in order to call Tyler or make time for him.
911 / Mr. Lonely
Colorlessness
Another interesting add-on (which even I concord is a stretch, merely provides an interesting point of view) is the intentional number 4 in the track listing. I did some research on the pregnant of the number 4 and it turns out fours represent solidity, calmness, andabode(Venefica, Spiritual Meaning Of Numbers); four besides symbol of the the 4th dimension = fourth dimension which is illusion (crystalinks.com, Numerology) Even though Tyler probably didn't have whatever of these meanings in mind when deciding the spot for "See You Again" and is almost certainly a coincidence, it even so expands on the idea that the dream land in which Tyler's dear is, is considered a home and a slice of calmness. Furthermore, the idea of fourth dimension that is present on after tracks as the aforementioned and the rails "I Ain't Got Time' ties together perfectly with number 4's symbolism of the quaternary dimension – time. Ultimately, all of this reaches information technology'due south highest meaning once we consider that time is an illusion.
It feels real, always there, inexorably moving forward. Fourth dimension has flow, runs similar a river. Time has direction, ever advances. Time has order, ane affair after another. Time has duration, a quantifiable period betwixt events. Time has a privileged present, but now is real. Time seems to be the universal background through which all events proceed, such that lodge tin can exist sequenced and durations measured.The question is whether these features are actual realities of the physical world or artificial constructs of human mentality. (Kuhn, Space)
All of this proves that for Tyler, his love is impossible and is not of this physical world, therefore, just a construct of his mentality.
Finally, I'd like to take a look at how the track develops musically. I will exist dividing the song on three sections – soft, uncertain intro function that goes all the way up to the first chorus; the main part of the song containing the second poetry and hook; strong and confident outro resembling the intro and expanding on it musically. The intro starts with Tyler singing over a piano, later strings are added and some bells and chimes that come in and out. His singing is as if he'due south a bit uncomfortable. Every bit if information technology's hard for him to accept that this loved person is simply a fantasy. His singing is soft, tranquillity, held back, intimate. Surely wasn't a random pick.
"See You Again" [is] more than naked, but still [shies] abroad from aboveboard divulgence. "I wonder if you look both ways, will y'all cross my mind," he warbles in an unsteady singsong on "Run across You lot Again…" (Kearse, Complex)
Having only the piano playing in the very beginning to accompany his vocalisation enhances the feeling. Making it so personal, however magical and out of this world. One time the strings come up in, the track feels similar it's from a musical. Tyler is pushing the runway forward by layering his vocalism with more and more takes each new line. By the fourth dimension the guest singer, Kali Uchis, comes in for the first time, the track feels full even though the merely instruments are strings and pianoforte and a moog bass that comes in and out. Once Kali'southward vocals are the principal focus, claps are introduced. All of this makes the listener experience like floating on a fluffy bubblegum cloud in the bluish sky. By the time the first chorus is over the overall feel of the track is sugariness and dreamy. What one time started with a quiet and uncertain falsetto vocal, now feels grandiose and majestic. This harmony, however, is quickly disrupted past Tyler's 2d poetry. In it, the instrumentation all of a sudden flips to the modern manner of product, having the 808 bass and the constant percussive elements in the background. The established perfect alloy of sounds is at present tucked in the background and the raspy voice and mean commitment of Tyler are the forefront of the track, standing above the difficult striking bass. This intentional switch-upwardly serves every bit a sonic representation of the harsh reality compared to the wonderful dreamland. In this section of the vocal, Tyler has a hateful demeanor and cocky behaviour. The globe without his loved one is not the identify that he shows vulnerability. With the lines "Oh yeah, oh yep, oh yeah, I ain't met you lot, I've been looking, stop the waiting", Tyler finally admits that he's non going to be happy outside his dream world unless he does something to observe that one in real life, rather than waiting. His comprehension of the situation is what finally lets him embrace both the loneliness and confidence in both worlds. He enters the third department of the song with more confidence while repeating what was stated in the kickoff. Hard drums are introduced to emphasise his forcefulness and self-assurance. The falsetto vocals are no longer present, the bass is more notable. Horn department is added to make an even bigger bear on and make everything experience cinematic and huge. The catastrophe is like a orchestra, it creates an overwhelming feeling, it gets the listener pumped for what's well-nigh to happen.
To sum up, Tyler starts the song quite feebly, sort of cowardly, somehow, even so, in a soothing manner. That implies that he's unsure and unable to practise anything for his idealised dear. Throughout the development of the rails, he realises it's time to start taking activity, and the instrumentation and the tone of his phonation go through a massive overhaul resulting in a beautiful, rich and glorious, pic soundtrack-like final part of the slice. Furthermore, a genius.com analyst has said the post-obit about Kali's part of the rail:
This part of the chorus, sung by Kali Uchis, explores the overall theme of longing and fantasy expressed by Tyler throughout the song. Tyler, "speaking" to his dream lover with the help of a feminine phonation, wants to brand this love last, even though information technology's probably never going to happen given its idealized and dream-like nature. It brings to light the paradoxical nature of forbidden and/or idealized love, namely the desire to make it final forever when circumstances most probable go far hard or impossible to happen. Finally, the phrase "I'm about to go to war" may betoken Tyler is addressing all of the emotional turmoil that is about to embark in the absence of his lover.
However, the "I'm nearly to become to state of war" phrase, in my opinion (and the context of my song estimation), means that Tyler will now stop waiting for that love to come to him or enjoy it but when he's in his own realm. He'll exist taking a more agile approach to finding this dear ie. "going to war".
Conclusively, subsequently this song, I believe, Tyler continues on his journey through the exploration of loneliness in 'Flower Boy', with a clear thought of what is causing this feeling and the confidence he had in the beginning two songs, before his realisation. His dream country is not the only place he's at present comfortable of being vulnerable. His impossible dearest is now something that'due south being embraced, equally well as his loneliness. Everything has significant and reason. Tyler is ready to live with his feelings until he finds his dream country lover in existent life.
Bibliography
HALEY, Wolf. north.d. "Tyler, the Creator Biography" IMDb [online]. Available at: http://world wide web.imdb.com/name/nm4360094/bio
PEARCE, Sheldon. 21.06.2017 "Tyler, the Creator – 'Blossom Boy' Review" Pitchfork [online]. Available at: https://pitchfork.com/reviews/albums/tyler-the-creator-bloom-boy
GENIUS, due north.d. "Tyler, the Creator – 'See You lot Again' lyrics" Genius [online]. Available at: https://genius.com/Tyler-the-creator-come across-you-again-lyrics
KUHN, Robert Lawrence. 06.06.2015 "The Illusion of Time: What's Real?" Space [online]. Available at: https://www.space.com/29859-the-illusion-of-time.html
CRYSTALINKS, north.d. "Numbers and Their Meanings" Crystalinks [online] Available at: http://www.crystalinks.com/numerology2.html
VENEFICA, Avia. n.d. "Spiritual Pregnant of Numbers" What's Your Sign [online] Available at: http://www.whats-your-sign.com/spiritual-meaning-of-numbers.html
KEARSE, Stephen. 21.06.2017. "On 'Flower Boy,' Tyler, the Creator Outgrows His Influences to Make His Nearly Transformative Album" Pitchfork [online] Bachelor at: http://www.complex.com/music/2017/07/tyler-the-creator-flower-boy-review
Source: https://kamenmakesmusic.wordpress.com/2017/11/05/the-impossible-love-see-you-again/
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